DET SKÖNA VS. DET SUBLIMA

Enl. E. Burke (enl. A. S. Byatt), alltså:

Claude Lorrain. Apollo och muserna på berget Helion (1680)

Salvator Rosa. Landskap med Johannes Döparen och Kristus (1655-1660)

DET FASANSFULLT ROMANTISKA

"The passion caused by the great and sublime in nature [...] is astonishment; and astonishment is that state of the soul, in which all its motions are suspended, with some degree of horror. In this case the mind is so entirely filled with its object, that it cannot entertain any other. [...] Astonishment, as I have said, is the effect of the sublime in its highest degree; the inferior effects are admiration, reverence, and respect."

--Edmund Burke, Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful, sid. 58.

"..lustily
I dipped my oars into the silent lake,
And, as I rose upon the stroke, my boat
Went heaving through the water like a swan;
When, from behind that craggy steep till then
The horizon's bound, a huge peak, black and huge,
As if with voluntary power instinct,
Upreared its head. I struck and struck again,
And growing still in stature the grim shape
Towered up between me and the stars, and still,
For so it seemed, with purpose of its own
And measured motion like a living thing,
Strode after me. With trembling oars I turned,
And through the silent water stole my way
Back to the covert of the willow tree;
There in her mooring-place I left my bark,--
And through the meadows homeward went, in grave
And serious mood; but after I had seen
That spectacle, for many days, my brain
Worked with a dim and undetermined sense
Of unknown modes of being; o'er my thoughts
There hung a darkness, call it solitude
Or blank desertion. No familiar shapes
Remained, no pleasant images of trees,
Of sea or sky, no colours of green fields;
But huge and mighty forms, that do not live
Like living men, moved slowly through the mind
By day, and were a trouble to my dreams."

--William Wordsworth, The Prelude 1805 (Första boken, rad 373-400)